ANGÚSTIA E FOLIA
“Angústia e Folia” is a piece using only percussion instruments whose instrumentation is traditionally associated with Brazilian musical practices. It explores the contrast between contraction and expansion through musical gestures: long notes gradually become shorter and more widely spaced, while initially spaced notes progressively come closer together until forming a continuous sound. The title is a wordplay on the scientific name of the araucaria tree — Araucaria angustifolia — native to southern Brazil. From angustifolia emerge the words “angústia” (anguish) and “folia” (revelry).
JIJIVISHA
Premiered on June 1st, 2024, at the Itaici Monastery in Indaiatuba - SP, ‘Jijivisha’ - which means ‘joy of being alive’ in Hindi - is a dodecaphonic piece for solo cello, inspired by traditional Indian music. The series used for the composition of the work was taken from Schoenberg’s ‘Modern Psalms.’
ADAGIO IN D
I have no intention whatsoever of hiding my fascination with perfect fifths and fourths in this piece. Some passages may even be considered ‘off-key’ due to just intonation, but nevertheless, they provide a rich and colorful sound.
CHUVA DE VERÃO
Inspired by Debussy’s musical language, ‘Chuva de Verão,’ which means ‘Summer rain’ in Portuguese, is a genuine exploration of the sounds and effects that the piano can offer, without the need for extravagant performance techniques.